Murad Subay: Yemen’s war makes a month feel like a year\ By: KIERAN ETORIA-KING

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Murad Subay: Yemen’s war makes a month feel like a year

The Index award winner talks about his fears of a possible escalation of the conflict in Yemen
03 Feb 2017
BY KIERAN ETORIA-KING

US president Donald Trump’s executive order banning citizens of seven predominantly Muslim countries from travelling to the USA for has had devastating consequences for thousands of people. Among them is Index on Censorship Award winner Murad Subay. The Yemeni street artist is now unable to visit his wife, who is currently studying in the USA.

“It’s really frustrating to even start thinking that I won’t be able to see her for that long,” he told Index. “She was supposed to visit during summer break, however, it seems that she can’t do that now.”

 

With uncertainty surrounding how the Trump administration’s policy towards Yemen will play out, the couple are now facing the very real prospect of not seeing each other until she finishes her studies four years from now.

“It’s been a really difficult time for both of us because it’s the first time we’ve been away from each other for more than a month,” Subay said. “I can’t say that this doesn’t have its negative effects on my work, for it surely does.”

At home, the worries that have plagued Subay throughout the Obama administration remain, particularly Trump’s continuation – and possible escalation – of his predecessor’s drone strikes in Yemen, which by February 2016 had killed up to 729 Yemenis including 100 civilians. One rural counter-terrorism raid authorised by Trump has already left at least 10 women and children dead, according to Al-Jazeera.


2016 Freedom of Expression Fellow Murad Subay

Murad Subay is the 2016 Index on Censorship Freedom of Expression Arts Award-winner and fellow. His practice involves Yemenis in creating murals that protest the country’s civil war. Read more about Subay’s work.


“Trump has no right to make things even worse for Yemenis. Yemen is already suffering from US arms deals with Saudi Arabia that helped fuel this war. Barring Yemenis from entering the USA under his administration only adds to these troubles.”

The war has been hitting close to home for Subay in recent months. Two of his cousins were recruited by warring parties and killed on the battlefield. – Fuad Subay, aged 26, was a soldier killed in Albuka’a, and Yaser Subay, just 14, was recruited by Houthis and killed in Isilan.

On top of this, a close friend of his, the respected investigative journalist Mohammed Alabsi, was killed in an apparent assassination. According to the Yemen Times, Alabsi had gone out for dinner in Sana’a with a cousin on 20 December. A little while later both men were rushed to hospital, where Alabsi died.

“I was told that blood came out of his ears and eyes,” Subay said. “Mohammed was investigating the black markets trading in oil that were associated with high-ranking politicians. I do not know the exact details of this, but what I do know is that Yemen has lost one of its most important and noblest investigative journalists, and that I lost a dear friend.”

An investigation into Alabsi’s death is underway.

Subay addressed a recent wave of violence against civilians, including journalists and public figures, in a mural entitled Assassination’s Eye, painted on the Mathbah Bridge in Sana’a in late December. Part of the Ruins Campaign, the minimalist painting depicts a sniper’s crosshairs training in on a human target.

“It conveys the assassin’s point of view, where it first feels like it is only a part of training on how to hit a target, but then in the final square the bullet ends up in the head of a real person rather than a target board,” Subay explained. “These assassinations have spread vastly since 2012, where they were mostly carried out among the military ranks and politicians. Lately, however, these operations have been targeting civilians too. I was planning to address this issue some time ago after hearing about the assassinations of innocent civilians in different places of the country, and that was just two weeks before I was shocked by the death of my friend.”

Elsewhere, Subay has been asked to serve as a judge for the Italian arts award, Fax for Peace, which invites students and artists from around the world to send pictures, videos or animations on the themes of peace, tolerance, human rights and the fight against all forms of racism. He said of the role: “It is a great pleasure to be selected as a judge in this contest and it is a big responsibility, which I hope to be able to carry out effectively.”

However, with Yemen’s economic circumstances ever worsening, and many working people now into their fourth month without receiving salaries, he sees difficult times ahead.

“It’s very harsh to see people every day looking for anything to eat from garbage, waiting along with children in rows to get water from the public containers in the streets, or the ever increasing number of beggars in the streets. They are exhausted, as if it’s not enough that they had to go through all of the ugliness brought upon them by the war.”

Referring to the deaths of his cousins and his close friend, he added: “No one can live in this country and not be affected by the war. This all happened in the last three or four months. These events make a month in Yemen feel like a year.”

Continue reading “Murad Subay: Yemen’s war makes a month feel like a year\ By: KIERAN ETORIA-KING”

Yemen conflict all but ignored by the West\ On “DW”

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Yemen conflict all but ignored by the West

Atrocities are being committed against an innocent Yemeni population on a scale as serious as Syria and Iraq. But why doesn’t this story get as much media attention as those conflicts? Gouri Sharma reports.

When the UN children’s rights organization UNICEF recently released a report stating that at least one child dies every 10 minutes in Yemen, the expectation was that the news would be picked up by international news outlets. But barring a few exceptions, including Al Jazeera and DW, the news was not carried by much of the global media prominently, and some not at all.

 

In its report, the humanitarian organization estimated that more than 400,000 Yemeni children are at risk of starvation, and a further 2.2 million are in need of urgent care. How could it be that statistics this alarming, the result of a war involving regional superpowers with the backing of the US and UK, does not make headline news?

But people close to the story say this example is just a reflection of how the war in Yemen is covered by the global media.

Yemen and the western media

It’s not that the conflict isn’t covered, but when it is, news outlets tend to focus on the ‘Sunni-majority Saudi Arabia versus the Shia Iran proxy war’ narrative which overlooks the country’s deepening humanitarian crisis.

Yemen, a country of 24 million people, has endured political strife for decades, but the situation worsened in March 2015 when a Saudi-led coalition began airstrikes with the aim of reinstating President Abdrabbuh Mansour Hadi, who had been ousted by the Houthi rebel group. The Houthis are said to be backed by Saudi Arabia’s regional political foe, Iran.

Since the bombing began, the UN estimates that more than 10,000 innocent people have been killed, 69 percent of the country is in need of humanitarian assistance, and three million people have been forced to flee their homes.

Wie die Medien über den Krieg im Yemen berichten (Murad Subay) Although atrocities are committed on a daily basis, the conflict in Yemen seems to have dropped off the radar

It’s a complex political situation and those closest to it – the local journalists – have been forced to stop telling the story because of the dangers they’ve been facing. The Committee to Protect Journalists, a New York-based press freedom watchdog, has recorded the deaths of at least six journalists caught in the crossfire since the start of the Saudi campaign. In its latest report, the Yemeni Journalist Syndicate said that more than 100 press violations were committed in the first six months of 2016, including 10 cases of attempted murder, 24 abductions and disappearances, and 12 cases of assaults on journalists and their offices. The situation for foreign journalists isn’t any better, amid reports that those who get access can be subject to harassment and kidnappings.

Afrah Nasser, an independent Yemeni journalist who is based in Sweden, told DW: “When western news outlets cover Yemen it’s often ‘parachute journalism.’ This is mainly because it’s been hard to access Yemen and if you want to get in you have to get permission from the Saudis and the Houthis. For foreign journalists, it’s become hell to enter or leave the country and a trip that used to take a few hours might now take days or even weeks.”

But Iraq and Syria, which has ranked as the world’s most dangerous place for journalists for at least two years in a row, are considered more difficult for journalists to report from than Yemen, yet both countries receive much more media coverage.

Syria, Iraq more ‘newsworthy’

Yemeni activists and journalists point to one other major factor as to why the country is kept lower down on news agendas. Many of the people attempting to get to Europe are from Syria and Iraq so western news audiences are more affected by the what’s happening in those countries than what’s happening in Yemen – news editors may not deem the war newsworthy enough for their audiences.

Watch video 05:27

Yemen’s forgotten war

“There isn’t a direct or immediate threat coming to western countries from Yemen,” Baraa Shiban, a London-based Yemeni human rights activist, tells DW. “There are no ‘waves’ of Yemeni refugees crossing the Mediterranean because it’s too far and if there are refugees they remain few in numbers. This is also related to the threat western countries feel they are facing. Dealing with the ‘Islamic State’ (IS) tops the list for western politicians. IS has claimed attacks inside Europe and such attacks could happen again. Al-Qaeda in the Arabian Peninsula has been busy hitting inside Yemen – recently killing soldiers in Aden – but it’s limited in its ability to hit in Europe or the US.”

Coverage could also be affected by who is involved in Yemen – and who isn’t. “Any journalist or researcher who tries to dig deeper into the situation will see it’s a local conflict, especially when we talk about specific places like Taiz, a city in the south which has been living under siege for the past year and a half by forces loyal to the former president, along with the Houthi rebels who come from the north. If you compare that with the situation in Aleppo, you have Russia, Iran and Hezbollah. That’s a more interesting story with international and regional powers,” says Shiban.

The biggest known player involved in Yemen is Saudi Arabia, who has been carrying out its military campaign with arms brought from the US and Britain. In December, the US announced it would be halting an arms deal worth $350 million to the Kingdom amid concerns of the coalition’s indiscriminate bombing inside the country. But up until that point, President Obama had reportedly sold arms to the tune of $115 billion (107 billion euros) to Riyadh during his eight years in office – more than any US administration in history.

Wie die Medien über den Krieg im Yemen berichten (Murad Subay) Many local observers accuse western media and western governments of double standards when it comes to Yemen

Double standards

The UK, meanwhile, approved 3.3 billion pounds (3.7 billion euros) worth of arms to the Kingdom in the first 12 months of its bombardment of Yemen. So it may not make for good business sense for the corporate media in the US and the British mainstream media to cover a war and the negative impact it’s having on civilian life when their governments are making huge profits from it.

“If there is one country in the world that has the most gross double-standards, it’s the UK. As long as the Saudis are their ally, they can overlook any of atrocities committed by their friend. Yemenis’ blood means nothing when Saudi’s cash is on the table and if you’re a foreign journalist, some big media outlets won’t buy your story because they don’t want to annoy the Saudis,” says Nasser.

But amidst all the reasoning, the facts remain. Atrocities are still being committed against innocent people on a daily basis and a humanitarian crisis is worsening as millions of people lack basic food and water supplies.

Murad Subay, an internationally renowned Yemeni street artist who has been using his art to call for peace, says that the situation in Syria should serve as a warning. “What happened in Syria is an example of where the world ignored the crisis until it turned into catastrophic war. We as citizens of the world have a responsibility to pressure countries to stop engaging in Yemen’s war and to stop selling the arms that fuel it. People suffering in faraway places doesn’t make the rest of the world immune from it. People everywhere should care because it is the right thing to do, because what’s happening is wrong and inhumane.”

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Continue reading “Yemen conflict all but ignored by the West\ On “DW””

‘Banksy’ van Jemen: met graffiti wil ik kogelgaten in muren verdoezelen

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‘Banksy’ van Jemen: met graffiti wil ik kogelgaten in muren verdoezelen

Zondag, 10:00
Murad Subay
Geschreven door
Carmen Dorlo

redacteur NOS Online

Als je op straat loopt in Sanaa, de hoofdstad van Jemen, kun je niet om de kunstwerken van de ‘Banksy van Jemen’ heen. De gebouwen zijn misschien kapot door alle bombardementen, maar ze zijn niet lelijk: op de gevels staan nog de graffitikunstwerken van Murad Subay.

“Toen in 2011 de oorlog begon, brak dat vele harten”, vertelt Murad aan de NOS. “Maar niet alleen harten gingen kapot, ook huizen en straten. Op dat moment besloot ik de straat op te gaan en graffitikunst te gaan maken. Ik wilde het lelijke van de oorlog verdoezelen. De kogelgaten in de muur laten verdwijnen. Dat lukte me door de graffiti.”

In Jemen woedt al jaren een burgeroorlog. De NOS heeft contact met inwoners van het land, om een beeld te krijgen van de situatie in het land. Zij vertellen hun verhaal via WhatsApp, e-mail en Skype. Deze week spreken we met Murad Subay. Eerdere verhalen kwamen van Abdullah uit al-Mukalla, Fadia uit Taiz en Layla uit Sanaa.

Muhajed, Fadia en Murad in Jemen NOS

Sommige werken van Murad zijn puur artistiek, andere hebben een politieke lading. De artiest nodigt inwoners van Sanaa ook uit om te helpen bij de kunstwerken. “Zo kunnen de mensen hun stem laten horen en hun mening geven over de oorlog. Kunst is niet alleen entertainment, het kan voor zoveel meer dingen worden gebruikt. Kunst geeft een stem en zorgt voor communicatie, zeker als het zo duidelijk op straat te zien is.”

Tekenen

De 29-jarige Murad woont met zijn ouders, drie zussen en vier broers in een huis in Sanaa. Hij heeft Engels gestudeerd en haalde in 2012 zijn diploma.

“Ik begon met tekenen toen ik 13 was. Mijn ouders moedigden me aan en daardoor kon ik mezelf veel dingen leren. In 2012 maakte ik mijn eerste graffitiwerk en dat resulteerde in een campagne waardoor ik werken in heel Sanaa mocht maken.”

Dirty Legacy: graffitikunst van Murad Subay Murad Subay

De oorlog heeft veel veranderd, gaat hij verder. “Dat heeft zoveel effect op me. Op iedereen.” Murad noemt het tekort aan basisbenodigdheden als elektriciteit en water, en de economische gevolgen van de oorlog.

“Deze dingen hebben veel effect op mij persoonlijk, maar ook op mijn werk. Het is niet meer mogelijk om vrij te reizen in Jemen. Het is soms ook veel te gevaarlijk op straat om de werken te maken.”

De laatste tijd wordt het steeds moeilijker om onze mening te mogen uiten door middel van kunst.

Murad Subay

Murad zorgt altijd dat hij goedkeuring krijgt van de autoriteiten om graffiti te spuiten, maar ook dat gaat nu lastig. “De laatste tijd wordt het steeds moeilijker om onze mening te uiten door middel van kunst. Ook al heb ik toestemming, vrij graffiti spuiten wordt nauwelijks nog toegelaten.”

Death by Hunger and Disease: graffitikunst van Murad Subay Murad Subay

Murad heeft inmiddels zoveel roem in Jemen verworven, dat hij ook wel de ‘Banksy van Jemen’ wordt genoemd. “Banksy is een grote artiest, een genie. Mijn werk lijkt op dat van hem omdat we dezelfde techniek gebruiken. Maar de manier waarop we werken, is anders”, legt Murad uit.

“Ik wil zoveel mogelijk mensen betrekken bij mijn kunst. Als ik een kunstwerk maak en er lopen mensen langs, dan nodig ik ze altijd uit om me te helpen en hun mening te geven. Zo kunnen we een politieke discussie op gang brengen, op een niet-gewelddadige manier.”

Ik hoop dat het nieuwe jaar echt een nieuw jaar wordt. Het afgelopen jaar was zo vermoeiend.

Murad Subay

Na vijf jaar als graffiti-kunstenaar wacht Murad nog steeds op het hoogtepunt. “Ik hoop ook dat ik nog niet mijn mooiste werk heb gemaakt. Ik ben pas op het begin van mijn reis.”

Voor 2017 heeft hij maar één wens: “dat het écht een nieuw jaar wordt.” “Het afgelopen jaar heeft de wereld enorm vermoeid. We zijn er allemaal klaar mee.”

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Mural by: Rshid Qaid “The first” Ruins campaign

 

العالم يتسابق للصدارة في الجمال ويتسابقوا هنا في صدارة القبح.

“الاول” جدارية الفنان: رشيد قائد، ضمن #حملة_حطام، في نشاطها الحادي عشر حول قضية “الإغتيالات”، على جدار جسر مذبح، 29 ديسمبر 2016.
World racing to the forefront of the beauty and here they are racing for the top of ugliness.

“The first” mural by the artist: Rsheed Qaid, #Ruins_Campaign, in its 11th activity about “Assassinations”. On Mathbah bridge’s wall, Dec.29,2016.

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Mural by: Thiyazen alalawi “Red Memories” Ruins campaign.

 

القتلة يدونوا التاريخ بالدم.

“ذكريات حمراء”، عنوان جدارية الفنان: ذي يزن العلوي، ضمن #حملة_حطام” في نشاطها الحادي عشر، عن قضية “الإغتيالات”. على جدار جسر مذبح، 29 ديسمبر 2016.

Criminals do write the Yemeni history with blood.

“Red Memories”, a mural by the artist: ذي يزن العلوي, #Ruins_Campaign, in its 11th activity about “Assassinations”. On Mathbah bridge wall, Dec.29, 2016

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My mural “Assassination’s Eye”, Ruins campaign

 

ما زالت الكوارث تتوالى على هذا البلد وشعبه، حروب انتجت الموت والجوع والخوف، وكأن البلد لم تكتفي من هذا بل وجاءت كارثة اخرى إلى هذه الكومة المفجعة وهي عمليات “الإغتيالات” والتصفيات.
منذ اعوام وعمليات التصفيات والإغتيالات السياسية تمشي على قدم وساق في جميع مناطق اليمن، بدأت التصفيات في صفوف الجيش منتقلة لصفوف السياسيين ومؤخرا انتقلت إلى صفوف المواطنين والمدنيين. إستمرار هذا الوضع وهذه العمليات، يجعل اليمن بلد خالي من الحياه ومن التنوع، ويبعدنا تماما عن سلام قريب.
الشعب اليمني منهك من هذا الوضع المستمر بالتدهور الهائل، على جميع الأصعدة. لن يُحكم هذا البلد بالحديد والنار ولا بالخوف والجوع والموت وعلى اصحاب القرار ان يصلوا بهذا البلد بأسرع ما يمكن إلى وقف لهذا التدهور الذي سيطالهم عاجلا أم اجلا ان استمر.

جداريتي “عين الإغتيال” ضمن حملة “حُطام” على جدار جسر مذبح المقابل لمستشفى العلوم والتكنولوجيا، 29 ديسمبر 2016.

Disasters are still coming down on this country and its people, where war is leaving behind death, hunger and fear. Now another disaster is on the rise, “assassinations, adding to the misery of this country as if the tragedy happening in Yemen is not enough. Political assassinations and the extrajudicial killings have been thriving in many regions in Yemen. These operations began among military ranks, and then moved to target politicians, until recently it shifted into targeting civilians. The continuation of this situation and these operations turns Yemen into a lifeless country and deny it its diversity and peace. Yemenis are exhausted from this rapidly deteriorating situation. There must be another way out, for no country in the world should be governed by iron, fire, fear, hunger and death. Decision-makers must end this situation as soon as possible or it will eventually reach them.

My mural “Assassination’s Eye” #Ruins_Campaign, on Mathbah bridge wall, December 29, 2016.

Assassination's Eye1
Assassination’s Eye1

Stemmen uit Sanaa\ On “NPO radio”

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“صوت من صنعاء”

حديثي مع راديو “ان بي او” الهولندي، حول الوضع في اليمن.

Interview Link>>

"The Family Photo"
“The Family Photo”

Graffiti artist paints for peace on Yemen’s bloodstained walls\ By: Sana Uqba, on “The New Arab”

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Graffiti artist paints for peace on Yemen's bloodstained walls Open in fullscreen

Sana Uqba

Graffiti artist paints for peace on Yemen’s bloodstained walls

Graffiti murals have propped up across walls destroyed by the two-year conflict [Muradsubay.com]

Date of publication: 11 November, 2016

Graffiti artist, Murad Subay believes painting the town red is one way to remind Yemen’s warring factions of the need for peace amid conflict and a two-year political deadlock
Yemen’s two year conflict has plunged the region’s poorest nation into depths of unseen darkness.

While the death toll stands at more than 10,000, a further 3 million have been flung to all corners of the nation and beyond, and more than half of the 22 million population are barely surviving the war.

Like Pandora’s Box, the conflict has unleashed even more fiends to concern Yemen’s otherwise peaceful and care-free civilians.

Hunger, poverty, kidnapping, airstrikes, drone strikes, sectarianism, civil war, recruitment of child soldiers, regional-meddling and government corruption are among the many crises to hit the country once described as ‘Arabia Felix’ – Happy Arabia – but one man has marched towards the frontlines of these battles, armed with nothing but a paintbrush and a graffiti can.

“I believe that art can have important messages,” Murad Subay told The New Arab. “It reaches more people – especially graffiti murals which are seen by hundreds of thousands of people walking by it every day.”

The 29-year-old has used his talents to paint the town red, white and black, since the extraordinary days of the 2011 Arab Spring.

What do child-soldiers dream of?

But among the flags and  the patriotic symbols,  Subay, along with his other  peers, have imprinted his  visions of both despair and  hope along Yemen’s iconic,  old-brick walls.

“People who pass by while  we’re painting praise us,  pray for us and sometimes  even join us in painting,” he  said, noting that men,  women, children the elderly “and even soldiers” have stopped to contribute to the colours seen on the walls of the city.

“They feel like we’re highlighting their concerns and issues by discussing them on the streets.”

The Sanaa-based artist himself has felt the blow of the conflict.

“My brother, a journalist and writer was shot in both legs twice for his satirical pieces against the warring parties,” he said.

“Two of my relatives were killed during the war and my 14-year old cousin was also killed,” he added, noting that he was recruited as a child soldier by one of the armed groups involved in the conflict.

Despite this, Subay remains hopeful and believes his efforts of the past five years have had an impact on society.

Ying and yang

“Even if art is not going to feed the poor or stop the killings, I still feel like its presence in these times is crucial. It is our way of saying we want peace. It is our way of saying there are other alternatives to violence.”

Several attempts have been made to arrive at a peaceful political settlement aimed at ending the conflict since it began in September 2014 and escalated with the Saudi-led coalition intervention in March the following year.

However, the peace talks – though backed by numerous global powers – have failed Yemen’s population time and time again, causing many to lose hope amid the ongoing suffering.

“Hope is all that is left for us now, the war has taken away everything else,” Subay suggests.

“If we to give up on hope, then the whole place will turn into a big grave of people who chose to let go.

“If the political parties fail to see a chance of cooperation and peace, then we’ll keep reminding them. It’s the only way out.”

Link>>

 

Yemen: “a forgotten catastrophe”\ By: Devra Wiseman

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Yemen: “a forgotten catastrophe”

This was how Peter Maurer, the president of the International Committee of the Red Cross, saw the country in August 2014: Yemen after five months looks like Syria after five years.” As ever, civilians are bearing the brunt of the violence.  In fact, Yemen has been in turmoil for far longer, with a split between the north and south areas, and between Shia and Sunni. Internal conflict became even more serious war with the intervention in 2015 of Sunni Saudi-backed coalition forces.

Artists have come to the fore,  using a variety of media to contemplate and bring the Yemenis’ situation to the world’s notice. It strikes me that Yemeni art and culture is inherently poetic, how else could they make films such as The Melody of our Alienation?

Video 'The Melody of our Alienation' by Abdurahman Hussain, a filmmaker of #SupportYemen
Video ‘The Melody of our Alienation’ by Abdurahman Hussain, a filmmaker of #SupportYemen

Just as lyrical is The Color of Injustice.

Yemeni video 'The Color of Injustice' by Abdurahman Hussain, a filmmaker of #SupportYemen
Video ‘The Color of Injustice’ by Abdurahman Hussain, a filmmaker of #SupportYemen

However, here I am concentrating on the activities of  Murad Subay, an artist outraged at the ravages wrought in Yemen, who started a series of Campaigns in March, 2012. He made street art, and encouraged other artists and the ordinary Yemenis to join in, which they have done with enthusiasm. This is despite the obvious dangers of pointing to the corruption, gun violence, enforced disappearances or state kidnappings, the effect of US drones, to mention but a few of the ills that beset the Yemenis.

His Campaigns are carefully orchestrated and I have, where possible, obtained images that relate to each of them.  Each Campaign or activity within a Campaign produced many images, I have only room for an example from each. His first Campaign was called Color the Walls of your Streets, in March 2015. It started in Sana’a and later was launched in other cities.

Image from Murad Subay's 1st Campaign 'Color the Walls of your Streets', Sana'a, Yemen, 2012
From Murad Subay’s 1st Campaign ‘Color the Walls of your Streets’, Sana’a, Yemen, 2012

The second Campaign, called The Walls Remember their Faces, in September 2012, referred to the oppression that Yemenis were suffering, particularly the enforced disappearances, or state kidnappings, of numerous individuals. Subay and his friends painted the pictures of 102 forcibly disappeared victims in many areas in the cities Sana’a, Taiz, Alhudayda and Ibb.

An image from Murad Subay's 2nd Campaign 'The Walls Remember their Faces'. Yemen, 2012
From Murad Subay’s 2nd Campaign ‘The Walls Remember their Faces’. Yemen, 2012

On July 4, 2013, Subay launched his third and most forceful and ambitious Campaign, 12 Hours. For a whole year, Subay and fellow artists painted murals about a certain subject each month in the streets of Sana’a city. Each subject was a pressing political or social issue affecting Yemeni society. The twelve months equated to twelve hours and a clock face normally appeared on the murals, indicating their place in the sequence.

The first topic was the spread of weapons leading to gun violence. “The war-torn Arab country [Yemen] is second only to the U.S. in gun ownership — and second to none in weapons culture.

From Murad Subay's '12 Hours' Campaign, 'Gun violence'. Sana'a, Yemen
From Murad Subay’s 3rd. Campaign, ‘Gun violence’. Sana’a, Yemen, 2013

Fellow artists started to join him during the second activity of the campaign which was about sectarianism.

Image from Murad Subay's 3rd. Campaign, 'Sectarianism'.The Yemeni flag being painted over the word for sectarianism. Sana'a, Yemen, 2013
From Murad Subay’s 3rd. Campaign, ‘Sectarianism’. The Yemeni flag being painted over the word for sectarianism. Sana’a, Yemen, 2013

In the third ‘hour’ Subay revisited the enforced disappearances or state kidnapping of hundreds of individuals, in Huthi-controlled areas.

Image of couple kidnapped by the state, Murad Subay's 3rd Campaign, against state kidnapping. Sana'a, Yemen, 2013
From Murad Subay’s 3rd Campaign, ‘State kidnapping’. Sana’a, Yemen, 2013

The fourth hour dealt with the splits within Yemen. North and South Yemen had been warring for some time, but had been united, supposedly, in 1990. Conflicts have repeatedly broken out since.

Image from Murad Subay's 3rd. Campaign, 'Self-destruction of the homeland'. Sana'a, Yemen, 2013
From Murad Subay’s 3rd. Campaign, ‘Self-destruction of the homeland’. Sana’a, Yemen, 2013

The dreaded US drones, stealthily backing up the regime’s forces, and killing civilians, are the subject of the fifth Hour.

Image from Murad Subay's 3rd Campaign, 'US drones bombing Yemen'. Sana'a, Yemen, 2013
From Murad Subay’s 3rd Campaign, ‘US drones bombing Yemen’. Sana’a, Yemen, 2013

Yemen is one of the driest, poorest and least developed countries in the world. Its conflicts have brought even worse conditions for ordinary Yemenis. Poverty is Subay’s subject for the sixth Hour.

Image from Murad Subay's 3rd Campaign, 'Poverty'. Sana'a, Yemen, 2013
From Murad Subay’s 3rd Campaign, ‘Poverty’. Sana’a, Yemen, 2013

For the seventh Hour, Subay reverted to the key problem for Yemenis—the civil war. Subay sees Yemen’s self-inflicted wounds, and exhorts the country and its people to unite against the real  enemies.

Image from Murad Subay's 3rd. Campaign, 'Civil war'. Sana'a, Yemen, 2013
From Murad Subay’s 3rd. Campaign, ‘Civil war’. “Do not participate in their wars against us”. Sana’a, Yemen, 2013

I could not find an image from the eighth Hour, terrorism. Of course, not everybody liked or approved of Subay’s Camapigns. As might be expected, activists on both, or all, sides have attempted to obliterate the various images that have appeared on the streets. Perhaps that has happened to the terrorist ones.

The ninth Hour was devoted to the tragic cases of child recruitment into the fighting factions.

Image from Murad Subay's 3rd. Campaign, 'Child recruitment to the fighting'. Sana'a
From Murad Subay’s 3rd. Campaign, ‘Child recruitment to the fighting’. Sana’a, Yemen, 2013

The tenth Campaign deals with ‘treason’.

Images from Murad Subay's 3rd. Campaign, 'Treason'. Sana'a, Yemen, 2013
From Murad Subay’s 3rd. Campaign, ‘Treason’. Sana’a, Yemen, 2013

This mural shows Saudi, USA and Iranian currency banknotes being worshipped by treasonable  Yemenis who are taking advantage of US drones strikes, Saudi Arabia’s encouragement of tribal insurgents, and Iranian money and weapons going to Shiite Houthi rebels in the north.  Saudi Arabia has now, of course, interfered with a vengeance, with full scale bombing.

Unsurprisingly, many of the tenth and eleventh hour images were vandalised or covered with white paint. Fortunately some were recorded before this happened.

Image from Murad Subay's 3rd. Campaign, 'Corruption'. Sana'a, Yemen 2013
From Murad Subay’s 3rd. Campaign,’Corruption’. Sana’a, Yemen, 2013

Corruption is the root cause of Yemen’s stagnant growth, which threatens the country’s future and wastes vital resources, time, and human capabilities on a national level. ” We see corrpt antagonistic parties tearing the Yemeni flag to pieces as they are manipulated by third parties.

The final, twelfth Hour, was open to all to add their images.

Image from Murad Subay's 3rd.Campaign, open to all. "We won't be silenced". Sana'a, Yemen, 2013
From Murad Subay’s 3rd. Campaign, open to all. “We won’t be silenced”. Sana’a, Yemen, 2013

Wonderfully, they declare, “We won’t be silenced”. They resist still.

Subay’s fourth Campaign was to consist of sculptures, hence its title Dawn Sculptures. However,  power outages and lack of funding forced him to postpone the activity. Only one sculpture was made, the Elmuqah, an ancient Yemeni symbol. Its importance for Subay is that it represents the unity of Yemenis and their state 3000 years ago, that he yearns to re-establish.

Murad Subay's 4th. Campaign 'Dawn Sculptures'. 'Elmuqah' sculpture. Ancient Yemeni symbol of unity. Sana'a, Yemen, 2015
Murad Subay’s 4th. Campaign ‘Dawn Sculptures’. ‘Elmuqah’ ancient Yemeni symbol of unity. Sana’a, Yemen, 2015

Recent interpretations of the symbol of the god Elmuqah, or Almaqah, are that it depicts bull’s horns cradling a solar disc. The writing on the first line of the tablet is in the ancient Sabatean script.

Subay’s fifth Campaign, in 2015, was carried out during the actual war in Yemen, once the Saudis and their allies started bombing and destroying the country physically. Hence the campaign’s title, Ruins, to commemorate the victims of the conflicts and to highlight the catastrophic situation of the country. He often paints in the destroyed  areas.

Image from Murad Subay's 5th. Campaign 'Ruins', Bani Hawat district, Sana'a, Yemen, 2015
From Murad Subay’s 5th. Campaign ‘Ruins’, Bani Hawat district, Sana’a, Yemen, 2015

Inside a destroyed house

Image from Murad Subay's5th. Campaign 'Ruins'. Bani Hawat area, Sana'a, Yemen, 2015
From Murad Subay’s 5th. Campaign ‘Ruins’. Bani Hawat area, Sana’a, Yemen, 2015

Throughout, other artists have joined in, and this is a particularly striking, bitter and clever image by Thi Yazan Al-Alawai, for the Ruins campaign. Yemen’s heartbeat is failing.

Image from Murad Subay's 5th. Campaign 'Ruins'. 'The Last Impulse'. Mural by Thi Yazan Al-Alawai. Bani Hawat area, Sana'a, Yemen, 2015
From Murad Subay’s 5th. Campaign ‘Ruins’.’ ‘The Last Impulse’. Mural by Thi Yazan Al-Alawai. Bani Hawat area, Sana’a, Yemen, 2015

There were many  more images produced during the Ruins campaign, not included here.

A sort of respite was granted to Subay, when in April 2016 he went to London, to receive the Freedom of Expression Award 2016 from the campaign group Index on Censorship. This did not, of course stop him from expressing his passionate concerns about his country on a wall in London, in collaboration with other artists, as part of the Ruins campaign.

Image of a mural by Murad Subay for his 5th. Campaign 'Ruins.' 'Dirty Legacy', London, 2016
Mural by Murad Subay for his 5th. Campaign ‘Ruins’. ‘Dirty Legacy’, London, 2016

His acceptance speech is powerful and moving. He dedicates his award to the suffering and struggling people of Yemen, and says to “the world’s presidents, kings and leaders who misused their power…  you should know that you are leaving behind a dirty legacy…” You can see from the mural that he includes the UN in this, as well he might.

There is ‘Compelling evidence’ that UK weapons used on Yemen civilians‘.  But the chink of Saudi money is all that the UK government hears. The Yemenis wait in vain for help.

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המלחמה הנשכחת “الحرب المنسية” بقلم الكاتبة/ يائيل برازيليا

הקשר נוצר לפני מספר שנים, כשהיא עדיין גרה בצנעה. אז היא סיפרה לי על החיים בתימן המסורתית של מי שלמדה במערב, דיברנו על מצב הנשים ועל אמנות. היום היא מבקשת עזרה.

17/04/2016

הקשר נוצר לפני מספר שנים, כשהיא עדיין גרה בצנעה. אז היא סיפרה לי על החיים בתימן המסורתית של מי שלמדה במערב, דיברנו על מצב הנשים ועל אמנות.

כיום היא חיה מחוץ לתימן ובספטמבר האחרון חודש הקשר. מה שהתחיל בהתכתבות עבר לשיחת טלפון, שיחה עצובה, היא אפילו בכתה מיאוש תוך כדי שיחתינו, ביקשה עזרה, הסבירה לי על ההרס, המוות התסכול והיאוש, על הנסיונות הנואשים להעלות את המשבר עצום המיימדים לסדר היום העולמי ועל התחושה שהם נעזבו ונשכחו, שמתיהם אינם נספרים. במערב אין כל חדש ולמתים של המזרח יש תעריף זול.

אנחנו, שלא נטעה, אנחנו במזרח.

 

Murad Sobay Street art מוראד סובאי מצייר על קירות מבנים שנהרסו בהפצצות. כל פרח מייצג אדם שנהרג. שני עלים - מבוגר, עלה אחד - ילד.

Murad Sobay Street art
מוראד סובאי מצייר על קירות מבנים שנהרסו בהפצצות. כל פרח מייצג אדם שנהרג בהפגזה הזו. שני עלים – מבוגר, עלה אחד – ילד.

המשכתי לקרוא ולעקוב אחרי המצב בתימן, שהתדרדר מאז שיחתינו הקודמת. תימן, שהיתה עניה גם קודם לכן, מדממת. הארץ הפכה למזרח הפרוע: ארץ שבה אין שלטון מרכזי דה פקטו, כוחות שונים נלחמים זה בזה באכזריות. כבר שנה שהפצצות אוויר סעודיות יומיומיות פוגעות גם במטרות אזרחיות. שיטת הפעולה הסעודית דומה להפליא למבצעים שלנו בעזה, אך ללא הביקורת האינטנסיבית מבחוץ. הסעודים (הסונים) נהנים מתמיכה מלווה בעצימת עיניים (ואספקת נשק) מצד המערב. המטרה הרשמית הם המורדים החות’ים (השיעים, נתמכים ע”י איראן) אבל הפצצות מהאויר זורעות הרס לתשתיות ופוגעות באזרחים מדי יום.

 המלחמה בחות’ים מאפשרת לאל קאעידה לשפר עמדות ומקלה את כניסתו של שחקן נוסף: דע”ש, אבל לפיגוע דע”ש בצנעה אין הד כמו לפיגוע דומה בבריסל.  מצור מהים והיבשה שנאכף על ידי הסעודים מונע סחורות וסיוע הומניטרי. יותר ממליון וחצי תימנים איבדו את ביתם, חצי מהאוכלוסיה אינה יודעת מהיכן תגיע הארוחה הבאה (רוב המזון בתימן תלוי ביבוא), התשתיות הרוסות.

Murad Sobay Street Art הכיתוב:   Citizens Safety is our priority

Murad Sobay Street Art
הכיתוב: Citizens Safety is our priority

כיצד נשאר סבל כזה כל כך רחוק מהעין בעידן הגלובלי, מעבר לאינטרסים הברורים של מי שאמור לייצג ליברליזם? בהעדר רשות מרכזית שאחראית על הביטחון, התקשורת נמנעת מלהגיע (נוכחות מצומצמת לעומת מקומות עימות אחרים). כמו כן, בשל המיקום הגיאוגרפי פליטים תימנים אינם מציפים את אירופה, כך שהם לא ״בעיה״ ולא יוצרים אי נוחות במערב –  סבלם רחוק מהעין ורחוק מהלב.

התימניה שלי מנסה בכל דרך להגיע למודעות ציבורית. היא מעורבת בדף פייס ״I love Yemen“, שמטרתו להדגיש את הצד היפה של תימן ומשתדלים לסנן פוליטיקה. לא פעם משתפים שם סירטונים מישראל: מעופרה חזה, A-WA, וקליפים מריקודים תימנים בחתונות. הם אוהבים וגאים מאוד ביהודים התימנים השומרים על קשר עם התרבות התימנית.

היא בכתה, וביקשה שאעזור, ואמרתי, אבל מה אני יכולה לעשות? את יודעת מאיפה אני. היא ענתה שהיא מנסה בכל כיוון, אפילו עזרה מהשטן היא תבקש … (האמפ), ואנחנו היהודים, יש לנו קשרים.

לא ידעתי איך לעזור ואולי היא התיאשה ממני. לא המשכנו לדבר.

לפני שבוע הוכרזה הפסקת אש לקראת שיחות שלום שיתקיימו השבוע (החל ב-18 באפריל) בכווית בחסות האו”ם. האופטימיות אינה בשיאה: הפסקת האש נשמרת באופן חלקי  ונסיונות להגיע להסכמה בבעבר, בשיחות דומות בג’נבה שהתקיימו בדצמבר – נכשלו. ארגוני זכויות אדם קוראים לספקי הנשק להפסיק לחמש את הצדדים.

Murad Sobay Street Art

Murad Sobay Street Art

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