“Drought” My mural, Nov 2020.

لإسبوعين على التوالي، عكفت على الإشتغال على سلسلة من الجداريات ضمن مشروع أطلقته في مدينة “مارتيج” جنوب فرنسا، والذي أسميته “حديقة حرب”. وهي عبارة عن سلسلة متنوعة من الجداريات، والأعمال التي تعبر عن زمن الحرب، والثورة.

إليكم الجدارية الرابعة بعنوان “جفاف” والتي تعبر عن الحرب من جانب آخر وهو شحة وإنعدام الماء في اليمن، والذي ينتج عنه موت الألاف من الأبرياء سنويا في اليمن. وتتفاوت التقارير التي تتحدث عن ان الصراع على المياه ينتج عنه مايقارب ٤٠٠٠ ضحية سنويا.

اليمن في مهب الريح، وهذا ما يجب ان ندركه جميعا.

شكرا جزيل للرائعان “ماري كلود و ألين باوليو” اللذان إستضافاني للرسم في حديقتهما.

الدعوة عامة لمن يرغب بزيارة الحديقة، ويرجى التواصل بي لمزيد من المعلومات.

“English”

For two weeks, I worked on a series of murals as part of a project I launched in the southern French city of “Martigues”, in title “War Garden”. It is a diverse series of murals and works of wartime and revolution.

Here is the fourth mural entitled “Drought,” which shows war from a different perspective, which is the scarcity and lack of water in Yemen, which results in the death of thousands of innocent people annually in Yemen. Reports vary according to which the conflict over water results in 4000 victims annually.

Yemen is in the midst of a wind, and this is what we must all realize.

Many thanks to the wonderful “Marie-Claude et Alain Paoli” who hosted me for painting in their garden.

The invitation for the public and to those wishing to visit the park, please contact me for more details.

“French”

Pendant deux semaines j’ai travaillé sur une série de peintures murales dans le cadre d’un projet que j’ai lancé dans la ville de Martigues, dans le sud de la France, intitulé “Jardin de guerre”. Il s’agit d’une série diversifiée de peintures murales et d’œuvres sur la guerre et la révolution.
Voici la quatrième fresque intitulée “Sécheresse”, qui montre la guerre sous un autre angle, celui de la pénurie et du manque d’eau au Yémen, qui entraîne la mort de milliers d’innocents chaque année dans ce pays. Les rapports s’accordent à dire que la problématique de l’eau fait 4000 victimes par an.

Un grand merci aux merveilleux “Marie-Claude et Alain Paoli” qui m’ont accueilli pour peindre dans leur jardin.
L’invitation pour ceux qui souhaitent visiter le jardin est lancée, veuillez me contacter pour plus de détails.

“Fuck War” Mural

“أنيك الحرب”
أكبر عدوا للحرب هو التشبث بالحياة وأساليبها، ومقاومة الكراهية التي أنتجتها الحرب وظروفها القاسية.
جداريتي على بقايا بناء قديم، في شارع الستين، ضمن مجموعة “وجوه الحرب (فو)”, 14 مايو 2018.
*أعتذر على تسمية الجدارية الفجة, لكنها تصف حال اليمنيين اليوم ونظرتهم للحرب وللعيش في زمنها.
 
“Fuck War”
 
The ultimate enemy of the war is holding on to life and resisting the hatred that it has generated.
I painted this mural in the 60th street, as part of my street art collection “Faces of War (#FOW)”, May 14, 2018.
 
* I apologize for the crude title of the mural, It just so happens that it explains best Yemenis outlook on life during the war.
 

Fuck War

“Selling Misery” mural by: Rhman Qaid, in “Ruins campaign”. Feb.6,2017.

 

“المعاناة تُباع“

لأن المنظمات خذلت النازحين، وأصبحت تتاجر بمعاناتهم, قمت برسم هذه الجدارية، وأنا كلي أمل أن تصل الرسالة للمنظمات، وتقوم بمهامها وواجباتها الإنسانية تجاه المخيمات المنسية على أكمل وجه، لا أن يتم تحويل قضية النازحين إلى سلعة يتاجر بها.
جدارية الفنان: Rhman Qaid، ضمن #حملة_حطام، عن “النازحين”، في مخيم ضروان للنازحين، 6 فبراير 2017.

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“Selling Misery”

Because of the great suffering due to war and in addition, they have been let down by the inefficient work by organizations and government toward them, I painted this moral to send a message of their suffering to whome it might concerns.
Mural by: Rhman Qaid, about “Displaced people” in #Ruins_campaign, in Dharawan’s displaced camp, February 6, 2017.

 "Selling Misery"
“Selling Misery”

My mural “Assassination’s Eye”, Ruins campaign

 

ما زالت الكوارث تتوالى على هذا البلد وشعبه، حروب انتجت الموت والجوع والخوف، وكأن البلد لم تكتفي من هذا بل وجاءت كارثة اخرى إلى هذه الكومة المفجعة وهي عمليات “الإغتيالات” والتصفيات.
منذ اعوام وعمليات التصفيات والإغتيالات السياسية تمشي على قدم وساق في جميع مناطق اليمن، بدأت التصفيات في صفوف الجيش منتقلة لصفوف السياسيين ومؤخرا انتقلت إلى صفوف المواطنين والمدنيين. إستمرار هذا الوضع وهذه العمليات، يجعل اليمن بلد خالي من الحياه ومن التنوع، ويبعدنا تماما عن سلام قريب.
الشعب اليمني منهك من هذا الوضع المستمر بالتدهور الهائل، على جميع الأصعدة. لن يُحكم هذا البلد بالحديد والنار ولا بالخوف والجوع والموت وعلى اصحاب القرار ان يصلوا بهذا البلد بأسرع ما يمكن إلى وقف لهذا التدهور الذي سيطالهم عاجلا أم اجلا ان استمر.

جداريتي “عين الإغتيال” ضمن حملة “حُطام” على جدار جسر مذبح المقابل لمستشفى العلوم والتكنولوجيا، 29 ديسمبر 2016.

Disasters are still coming down on this country and its people, where war is leaving behind death, hunger and fear. Now another disaster is on the rise, “assassinations, adding to the misery of this country as if the tragedy happening in Yemen is not enough. Political assassinations and the extrajudicial killings have been thriving in many regions in Yemen. These operations began among military ranks, and then moved to target politicians, until recently it shifted into targeting civilians. The continuation of this situation and these operations turns Yemen into a lifeless country and deny it its diversity and peace. Yemenis are exhausted from this rapidly deteriorating situation. There must be another way out, for no country in the world should be governed by iron, fire, fear, hunger and death. Decision-makers must end this situation as soon as possible or it will eventually reach them.

My mural “Assassination’s Eye” #Ruins_Campaign, on Mathbah bridge wall, December 29, 2016.

Assassination's Eye1
Assassination’s Eye1

Artist Murad Subay worries about the future for Yemen’s children\ Article by: Ryan McChrystal

 

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Artist Murad Subay worries about the future for Yemen’s children

By Ryan McChrystal / 22 September 2016

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Credit: Ruins campaign. Bani Waleed, September 2016

On 3 September 2016, a group of Houthi rebels convened a meeting at al-Najah School in the al-Haima district of Bani Waleed, a local witness told Murad Subay, street artist and winner of the 2016 Index on Censorship award for arts, that the men entered the school without permission.

“We are not with any of the warring parties – we are caught in the middle,” the witness said.

Soon after, the school was destroyed in an airstrike carried out by the Saudi Arabian-led military coalition, killing one disabled student and adding 1,200 to the more than 3.4 million already forced out of education in the country as over 3,600 schools have been forced to close in the course of the war.

“Can you imagine? These are the soldiers of the wars to come,” Subay told Index. “Without education, these children could become tomorrow’s fighters and tools in the hands of extremists.”

At dawn on 4 September Subay travelled to Bani Waleed to create a mural on what remained of al-Najah.

Credit: Ruins campaign. Bani Waleed, September 2016

“When we got there I asked some of the students what they were going to do now that their school was destroyed and some told me they will go to Sanaa while others said they will travel to surrounding villages,” Subay said. “But it will be much more difficult for the 400 girls who attended the school because traditions in Yemen mean they will not be able to travel alone, making it impossible for them to go to other villages to study.”


2016 Freedom of Expression Fellow Murad Subay

Murad Subay is the 2016 Index on Censorship Freedom of Expression Arts Award-winner and fellow. His practice involves Yemenis in creating murals that protest the country’s civil war. Read more about Subay’s work.


Destroying schools isn’t a big deal for the warring parties, the artist added. “Some of the children of those leaders who shout ‘death to America’ are studying at the best universities in the world, including in the USA, while each bombed school in Yemen – especially big ones like al-Haima – will take years to rebuild.”

The situation is made even more difficult in a time of war when resources and building materials are almost impossible to come by. “Even if the West stopped supplying weapons to Saudi Arabia today and patted themselves on the back saying ‘we are doing good’, Saudi Arabia already has enough to wage wars for another 150 years if it wants.”

If there is any hope for peace to prevail and schools, hospitals and other buildings belonging to the people are to be rebuilt, countries like Britain and America should take a step further and tell Saudi Arabia “to show restraint”, Subay said.

“While Saudi Arabia is doing the majority of the destruction, all sides of the war in Yemen must take responsibility.”

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Credit: Ruins campaign. Bani Waleed, September 2016

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Credit: Ruins campaign. Bani Waleed, September 2016

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Credit: Ruins campaign. Bani Waleed, September 2016

The mural completed on 4 September depicts a child holding a hand grenade in place of a book, with the words “Children without schools” painted in English and Arabic.

When painting with fellow artists from the Ruins campaign – set up in May 2015 in collaboration with fellow artist Thi Yazen to paint on the walls of buildings damaged by the war – on 25 August,  the group were arrested and interrogated by a local militia.

“They asked us to sign a letter with our fingerprints promising that we would not return again without permission,” Subay explains. “I actually did have permission from a local tribal leader but they wouldn’t listen.”

The artists were told if they returned they would be punished.

“My friends were very afraid and some of them said even with permission they would not return,” Subay said. “It was a strange situation for them.”

Subway himself isn’t put off and is already looking forward the next Ruins campaign, wherever that may be.

 

The last time he spoke with Index, Ruins had just completed a series of murals in front of the Central Bank of Yemen to represent the country’s economic collapse. Soon after the murals were finished, Houthi rebels defaced two out of the three works of art, writing “Samidoon” (صامدون), meaning “steadfast”, which is one of their slogans.

Assessing the situation in Yemen and the many different sides of the conflict, Subay said: “It is very difficult. Every night we hear airstrikes here and there, but we go on with our lives.”

“But any day when I can paint is a good one.”

Nominations are now open for 2017 Index on Censorship Freedom of Expression Awards and will remain open until 3 October. You can make yours here.

Link..