葉門世界遺產 「會呼吸的歷史城市」

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葉門世界遺產 「會呼吸的歷史城市」

September 24, 2016, 6:00 am 122
Souq al-Melh市集保留傳統特色。(取材自英國衛報)
Souq al-Melh市集保留傳統特色。(取材自英國衛報)
塗鴉藝術家Murad Subay透過街頭塗鴉傳遞和平訊息。(歐新社資料照片)
塗鴉藝術家Murad Subay透過街頭塗鴉傳遞和平訊息。(歐新社資料照片)
2011年葉門爆發反政府示威,成功讓前總統沙雷下台。(路透資料照片)
2011年葉門爆發反政府示威,成功讓前總統沙雷下台。(路透資料照片)
薩里赫清真寺是葉門最具伊斯蘭特色的建築物。(路透資料照片)

葉門首都沙那老城區於1986年列入聯合國教科文組織世界遺產名錄,被譽為是「會呼吸的歷史城市」。不過由於葉門政治動盪不安,當地居民說:「我們在長期戰區生活。」

★觀賞老城區 必訪「總統清真寺」

2008年完工薩里赫清真寺(Al Saleh Mosque)是葉門最大的建築物,也是最具特色的伊斯蘭建築。由前總統沙雷(Ali Abdullah Saleh)建造,也以他的名字命名,所以又稱為「總統清真寺」。屋頂設計六座喚拜塔,光是正廳面積就達1萬3500平方米,可容納超過4萬4000人, 這裡也是觀賞老城區的最佳地點。

★塗鴉悼死者 讓倖存者看見希望

由於葉門戰火不斷,因此人民格外渴望和平的到來。葉門街頭塗鴉藝術家Murad Subay便找了朋友與當地孩子一起在街頭塗鴉,傳達人民對於和平的訴求。每當戰火將城市變成斷壁殘垣,他們就在街頭畫上美麗的圖樣,且廣邀其他民眾一起 加入。Subay希望藉由這些畫作紀念死去的百姓,也讓倖存者能看見希望。2014年他獲得義大利Veronese頒發的藝術和平獎。

★赴傳統市場 吃全沙那最棒早餐

進入沙那舊城的Souq al-Melh市集便能發現這個城市獨特的魅力,小街道上保留了許多傳統特色,有各式各樣具民族風味的手工藝品和飾品以及傳統小吃,這裡還有全沙那最棒的早餐。

★10歲嫁13歲 童婚惹議震驚國際

2010年3月沙那因幾樁童婚案招致爭議,其中包括10歲的Sally Al-Sabahi被迫嫁給13歲的Ilham,並遭到丈夫強暴及毆打,內出血4天後傷重不治。這則新聞引起國際震驚,聯合國及婦權組織「立即平等」 (Equality Now)皆嚴厲譴責,在強大的壓力下,葉門政府似乎有終結童婚傳統的趨勢。

★人民的願望 「和平…還在路上」

2011年起許多年輕的社會活動家和大學生由於不滿失業和貪汙等現象,聚集在沙那街頭展開反政府示威,期間發生暴力衝突,也遭到政府武力鎮壓,最後成功讓前總統沙雷下台。雖然如此,和平的願望卻還是沒有實現,2015年葉門爆發內戰,使人民繼續生活在動盪之中。

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Artist Murad Subay worries about the future for Yemen’s children\ Article by: Ryan McChrystal

 

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Artist Murad Subay worries about the future for Yemen’s children

By Ryan McChrystal / 22 September 2016

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Credit: Ruins campaign. Bani Waleed, September 2016

On 3 September 2016, a group of Houthi rebels convened a meeting at al-Najah School in the al-Haima district of Bani Waleed, a local witness told Murad Subay, street artist and winner of the 2016 Index on Censorship award for arts, that the men entered the school without permission.

“We are not with any of the warring parties – we are caught in the middle,” the witness said.

Soon after, the school was destroyed in an airstrike carried out by the Saudi Arabian-led military coalition, killing one disabled student and adding 1,200 to the more than 3.4 million already forced out of education in the country as over 3,600 schools have been forced to close in the course of the war.

“Can you imagine? These are the soldiers of the wars to come,” Subay told Index. “Without education, these children could become tomorrow’s fighters and tools in the hands of extremists.”

At dawn on 4 September Subay travelled to Bani Waleed to create a mural on what remained of al-Najah.

Credit: Ruins campaign. Bani Waleed, September 2016

“When we got there I asked some of the students what they were going to do now that their school was destroyed and some told me they will go to Sanaa while others said they will travel to surrounding villages,” Subay said. “But it will be much more difficult for the 400 girls who attended the school because traditions in Yemen mean they will not be able to travel alone, making it impossible for them to go to other villages to study.”


2016 Freedom of Expression Fellow Murad Subay

Murad Subay is the 2016 Index on Censorship Freedom of Expression Arts Award-winner and fellow. His practice involves Yemenis in creating murals that protest the country’s civil war. Read more about Subay’s work.


Destroying schools isn’t a big deal for the warring parties, the artist added. “Some of the children of those leaders who shout ‘death to America’ are studying at the best universities in the world, including in the USA, while each bombed school in Yemen – especially big ones like al-Haima – will take years to rebuild.”

The situation is made even more difficult in a time of war when resources and building materials are almost impossible to come by. “Even if the West stopped supplying weapons to Saudi Arabia today and patted themselves on the back saying ‘we are doing good’, Saudi Arabia already has enough to wage wars for another 150 years if it wants.”

If there is any hope for peace to prevail and schools, hospitals and other buildings belonging to the people are to be rebuilt, countries like Britain and America should take a step further and tell Saudi Arabia “to show restraint”, Subay said.

“While Saudi Arabia is doing the majority of the destruction, all sides of the war in Yemen must take responsibility.”

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Credit: Ruins campaign. Bani Waleed, September 2016

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Credit: Ruins campaign. Bani Waleed, September 2016

ruins2

Credit: Ruins campaign. Bani Waleed, September 2016

The mural completed on 4 September depicts a child holding a hand grenade in place of a book, with the words “Children without schools” painted in English and Arabic.

When painting with fellow artists from the Ruins campaign – set up in May 2015 in collaboration with fellow artist Thi Yazen to paint on the walls of buildings damaged by the war – on 25 August,  the group were arrested and interrogated by a local militia.

“They asked us to sign a letter with our fingerprints promising that we would not return again without permission,” Subay explains. “I actually did have permission from a local tribal leader but they wouldn’t listen.”

The artists were told if they returned they would be punished.

“My friends were very afraid and some of them said even with permission they would not return,” Subay said. “It was a strange situation for them.”

Subway himself isn’t put off and is already looking forward the next Ruins campaign, wherever that may be.

 

The last time he spoke with Index, Ruins had just completed a series of murals in front of the Central Bank of Yemen to represent the country’s economic collapse. Soon after the murals were finished, Houthi rebels defaced two out of the three works of art, writing “Samidoon” (صامدون), meaning “steadfast”, which is one of their slogans.

Assessing the situation in Yemen and the many different sides of the conflict, Subay said: “It is very difficult. Every night we hear airstrikes here and there, but we go on with our lives.”

“But any day when I can paint is a good one.”

Nominations are now open for 2017 Index on Censorship Freedom of Expression Awards and will remain open until 3 October. You can make yours here.

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Nghệ sỹ Yemen vẽ tranh đường phố phản đối xung đột\ On the Vietnami website “NEWS 360”

news 360

Nghệ sỹ Yemen vẽ tranh đường phố phản đối xung đột

Các bức tranh đường phố xuất hiện tại nhiều khu vực xung đột để tưởng nhớ những người vô tội thiệt mạng tại Yemen.

Vào ngày đầu tiên Saudi Arabia can thiệp vào cuộc nội chiến Yemen (tháng 3/2015), các máy bay chiến đấu của liên quân do nước này dẫn đầu đã ném bom một khu nhà ở ngoại ô thủ đô Sanaa.

Một tổ chức nhân quyền Yemen cho biết, vụ không kích vào khu vực Bani Hawat vào ngày 26/3/2015 của Saudi Arabia đã giết chết 27 thường dân, trong đó có 15 trẻ em.

Chỉ sau đó vài tuần, nghệ sỹ Yemen Murad Subay, các bạn bè của ông và nhiều trẻ em địa phương đã vẽ 27 bông hoa trên các bức tường tại Bani Hawat, trong đó 15 bông chỉ có một chiếc lá tượng trưng cho những đứa trẻ đã thiệt mạng. Đây là hoạt động mở đầu của chiến dịch nghệ thuật đường phố mới nhất của Subay có tên gọi “Tàn tích”.

“Họ (các bên tham chiến) đã phá hủy tất cả mọi thứ”, ông Subay nói với tờ The WorldPost. “Vậy chúng tôi có thể làm gì? Chúng tôi không giữ im lặng, đã thực hiện hoạt động để tưởng nhớ những người vô tội đã bị giết chết và nêu bật lên cái giá của cuộc chiến này”.

Trong năm qua, Subay và nghệ sĩ đồng nghiệp Thi Yazen đã đi đến những nơi mà chiến tranh đã tàn phá các ngôi nhà và khiến dân thường thiệt mạng để vẽ lên đó những bưc tranh để phản đối cuộc nội chiến hiện tại ở Yemen.

Trước đó, tháng 3/2012, Subay đã phát động chiến dịch nghệ thuật đường phố đầu tiên của mình, “tô màu các bức tường trên đường phố của bạn.” Ông và bạn bè của mình đã đến nhiều khu vực nơi bị kiểm soát bởi các phe phái khác nhau và biến những khu vực này trở thành các bức tranh đầy màu sắc.

Trên phương tiện truyền thông xã hội, Subay kêu gọi mọi người đến giúp đỡ chiến dịch của ông. Sau đó một tuần, hàng chục người bắt đầu tham gia và nhiều bức tranh đã bắt đầu xuất hiện trên các bức tường của nhiều thành phố.

“Điều này giống như một sự phản đối bằng màu sắc,” Subay nói. “Chúng tôi vẽ các bức tranh trên nền một cuộc chiến xấu xí để thể hiện rằng có những lựa chọn khác thay vì đi đến chiến tranh và sử dụng vũ khí.”

“Sử dụng bút vẽ là điều tốt đẹp hơn là sử dụng súng đạn”, ông Subay cho biết.

Cuộc đàm phán hòa bình về Yemen do Liên Hợp Quốc thúc đẩy đã diễn ra ngày 21/4. Các đại diện của chính phủ Yemen cho biết họ không kì vọng nhiều vào vòng đám phán này trong khi người dân Yemen đã kêu gọi các nhà lãnh đạo trên phương tiện truyền thông xã hội rằng “Đừng kết thúc mà không có hòa bình”.

Ít nhất 6.200 người đã thiệt mạng kể từ khi liên quân do Saudi Arabia dẫn đầu tấn công lực lượng Houthi và nhóm ủng hộ cựu Tổng thống Yemen Ali Abdullah Saleh.

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The Wall Street Journal\ Photo of the “Saw” mural, Ruins Campaign.

A Yemeni artist sprays graffiti on a wall in front of the central bank in protest at the worsening economic situation in the country.PHOTO: EUROPEAN PRESSPHOTO AGENCY

the wall street journal

An interview with me on BBC Radio in their based in London on “The Cultural Frontline” program. April 2016

BBC

 The Cultural Frontline

An interview with me on BBC Radio in their based in London on “The Cultural Frontline” program, titled by “Identity and Adversity”. I talked in six minutes (20-26), about the street art campaigns and the situation in Yemen. April 2016.

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BBC identity and Adversity000

Yemen: It’s the economy, stupid!\ IRIN News

Irin

Yemen: It’s the economy, stupid!

By Mohammed Ali Kalfood

IRIN Contributor

Additional reporting by Annie Slemrod, Middle East Editor

Something peculiar is afoot in Yemen: the usually arcane topics of monetary policy and central banking have become part of everyday chatter, even street art.

Since a Saudi Arabian-led coalition began airstrikes in March 2015 in a bid to oust Houthi rebels from power, some 6,500 people have been killed, and those official numbers are likely far too low.

But what is less reported is how the war has also devastated Yemen’s economy. Most of the country’s exports came from oil and gas, and those industries are simply not functioning.

Last month, a mural appeared on a wall in front of the country’s central bank – seen as a rare neutral and stable institution in Yemen’s fractious conflict. The jagged red line reflected the wild fluctuations of the faltering Yemeni rial.

The artist, Murad Subay, called his work “The Saw”, a reflection of how the economic situation is sawing his country apart. He was inspired to take out his brushes by headlines that the central bank is the last hope for his country’s faltering economy.

“People are devastated because of the currency fluctuation,” Subay told IRIN by email. Prices have shot up while wages have stagnated, he said, and “many people can’t afford to live under this economic situation; they can’t afford to purchase food and basic services”.

Last pillar of stability

For the past few months, commentators have been warning that Yemen’s central bank is in serious trouble.

It is perhaps surprising it has survived this long – after all the country has been ravaged by a war that has become too complex to fit into two sides: it includes multiple local conflicts and allegiances that are tough to untangle.

Related: Why does no one care about Yemen?

The central bank sets official exchange rates for imports of flour and grain. It had also, until recently anyway, managed to keep paying government employees like soldiers, teachers, and doctors – no matter their loyalty or location.

But how long it can prop up a country on the brink of complete economic meltdown is unclear.

Marwa al-Nasaa, resident representative for the International Monetary Fund in Yemen, told IRIN that “the Yemeni economy and rial are obviously in dire straits”.

“After 15 months of intense conflict, the central bank’s reserves, understandably, are running low,” she explained in an email. If foreign reserves become more depleted and the bank can’t prevent the rial from falling further, “it would hit the average Yemeni hard, and the very poor would likely suffer most”.

While there are unconfirmed reports that the Houthis have raided the bank’s reserves, under the hand of respected governor Mohammed Bin Humam, it has done it’s best to keep the currency stable, altering the official exchange rate to combat black market trading.

“Over the last 15 months, by all indications, the central bank tried to deal as neutrally as possible with a very difficult economic, social, and security situation in Yemen,” said al-Nasaa.

“But its ability to maintain foreign exchange support for the most basic imports, service sovereign debt obligations, and pay public sector wages is becoming more and more circumscribed.”

Back on the ground

While all this sounds rather academic, it’s not.

Hisham al-Omeisy, an analyst based in Sana’a, pointed out out that what the bank does – or doesn’t do – has a direct impact on everyday life and everyone knows it.

“It affects us directly with pricing, with getting gas… A lot of people don’t have money to begin with,” he explained to IRIN, so any shift in prices can feel drastic.

One impact of the crisis in the banking system has meant that traders seeking to import goods into Yemen – including food – have been unable to acquire credit.

That means food imports are down, and prices are up. In the capital, a 50-kg sack of flour goes for 7,500 rial, compared to 5000 rial a few months ago. In areas like Taiz, prices are significantly higher still.

And it’s hard to buy pricey food without a regular salary.

As of September 2015, the General Union for Yemeni Workers’ Syndicates estimated that three million people had lost their jobs due to the war.Those who still have employment, like the always-in-demand taxi drivers of Sana’a, find it hard to keep going when fuel is in short supply and expensive.

“It’s really hard to make money for your children to survive while you [also] need to feed your car with fuel to keep working,” said cab driver Ahmed Shamsan, a father of three.

The situation is deteriorating fast. Earlier this month, the bank reportedly stopped paying some government salaries, at least for the time being.

And it could yet get worse.

“If basic imports such as grains, fuels, medicines, and fuel are constrained further, this would quickly spill over into the daily lives of people that are on the edge already,” warned al-Nasaa.

Failing infrastructure

Among the sectors hit hardest by the economic crisis is health, an area that was already in a bad way.

Recently returned from Yemen, Karine Kleijer of the medical charity Médecins Sans Frontières has witnessed the country’s healthcare system come grinding to a worrying halt.

“You see that – slowly – programmes like vaccinations and things that should work are no longer functioning because [clinics and hospitals] are just running out of supplies,” she told IRIN.

If public doctors and nurses are unpaid it would represent a really dangerous situation, Kleijer said, as the majority of private clinics have already shuttered and locals are depending solely on publicly-funded healthcare.

“Our biggest concern is the health system is going backwards rapidly. We are at the end of our [tether],” Kleijer added.

Who can help?

Back in 2012, Saudi Arabia stepped in to help Yemen’s economy with a $1 billion deposit in the bank.

“No economic situation improves during wartime… the war needs to stop first”

But as a belligerent in the conflict, further financial support now seems an unlikely prospect, although there are reports that they have demanded the bank move to Riyadh or Aden, which had been a stronghold for Saudi-aligned forces.

Al-Nasaa said the IMF can’t “simply intervene to defend the rial”.

Instead, she said, “it could support a programme designed by the Yemeni authorities, where the authorities would be able to assume and implement programme commitments”.

The IMF does offer concessional lending to low-income countries with urgent needs.

“The IMF has closely engaged with Yemen in the past,” she said, “and it certainly stands ready to help again once conditions would allow [it] to do so”.

Peace, not cash

Everyone, and that includes al-Nasaa, says the best way to shore up Yemen’s economy is peace.

“The best that could happen is that the conflict parties find a way to a durable peace agreement, and all stakeholders could work together to stabilise and reconstruct Yemen,” she said.

But talks in Kuwait appear to be headed nowhere quickly.

Subay, the muralist, is concerned for his country, even if the bank gets help.

“I don’t think that this crisis can be solved by some kind of resolution on paper. No economic situation improves during wartime… the war needs to stop first.”

(TOP PHOTO: Murad Subay’s “The Saw” in Sana’a. Murad Subay/IRIN)

Au Yemen, Murad Subay préfère se battre avec des pinceaux\ Open Minded

 

Au Yemen, Murad Subay préfère se battre avec des pinceaux

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Le banksy yéménite

Artiste de 29 ans né au Yemen, Murad Subay est le Banksy local. Mais contrairement au street artist britannique qui dissimule son identité, Murad Subay expose son visage et ses oeuvres à la vue de tous. C’est en 2001 qu’il commence à peindre sur les murs de Sanaa, la capitale du Yemen et c’est presque seul qu’il lance, dans un pays divisé et en guerre le street art yéménite. Et dans une dictature, pas évident de faire des graffitis politiques sans être inquiéter. 

 

Murad

Cependant, Murad Subay n’a pas toujours été un artiste pacifiste. En 2011, il est un des leaders du printemps arabe au Yemen, durement réprimé par le régime. Mais au moment où ces camarades prennent les armes, il choisit le pinceau et les bombe de peintures. Aujourd’hui pacifiste , Murad Subay dénoncent sur les murs de son pays les atrocités de la guerre civile opposant les miliciens chiites au régime sunnite soutenu par l’Arabie Saoudite et les États-Unis. L’artiste combat aussi l’intégrisme religieux caractérisé par la forte présence d’Al Qaida dans la région mais aussi la politique interventionniste des États-Unis, symbolisé par les attaques quotidiennes de drones.
pourquoi ??

Sa première campagne « colore les murs de ta ville » a été lancé en 2012 juste après les affrontements qui avait secoué la capitale. La campagne visait à effacer les traces du conflit dans les zones les plus touchées. Il encourageait ainsi les passants et les habitants sur les réseaux sociaux à venir peindre des messages de paix sur les ruines des immeubles détruits par les obus et les balles. Cette campagne a duré trois mois et s’est étendue à d’autres villes du pays comme Aden, Taizz.

 

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En 2012, il lance sa deuxième campagne, « les murs se souviennent de leurs visages ». Elle présentait les visages de policiers, civils et opposants politiques disparus. Dans un pays où toute contestation est sévèrement réprimée, sa démarche a pourtant fait le tour du pays et ces visages oubliés ont pu atteindre des provinces reculées. Souvent ironique et irrévérencieux, Murad Subay n’a pas encore été censuré ou intimidé par le gouvernement à l’inverse des extrémistes religieux qui l’ont menacé de mort.

 

Murad 9

« 12 Hours », sa campagne la plus récente mettait en avant les 12 plus gros problèmes rencontrés par la société yéménite. Vaste programme pour un pays déchiré par la guerre civile. On peut citer au delà du terrorisme et de la dictature le trafic d’armes, les enlèvements, le trafic d’organes et d’êtres humains ou encore les frappes de drones. Avec sa démarche positive, l’artiste a reçu des récompenses liés à l’art ou encore le soutien de l’ONU qu’il a préféré rejeter pour maintenir son autonomie.

Murad 1

Murad

En l’espace de deux ans, Murad Subay a peint sur plus de 2000 murs dans tous le pays, invitant quiconque le souhaite à venir participer. « Mes campagnes ne seraient rien sans les gens, même des soldats baissent leurs armes pour donner des coups de pinceaux » dit l’artiste. Et entre la guerre civile, le sectarisme religieux et l’ingérence étrangère, les modestes peintures politiques de Murad Subay ne peuvent être que positives et saines dans une société dictatoriale ravagée par la violence.

 

murad tree

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“Murad Subay” an article by the amazing Lydia Noon, in the printed magazine “New Internationalist”

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“Do you think art can increase global awareness of Yemen’s humanitarian crisis?
Art is often used to send powerful messages, especially when it discusses the issues that concern people. Art can be understood globally; it is a universal an peaceful language. For this reason, I believe that using this medium to highlght the ‘forgotten’ Yemeni crisis and conflict might help in getting some of the attention that we need.”

New Internationalist, Murad Subay
New Internationalist, Murad Subay

Yemen’s first revolutionary street artist Murad Subay.\ Turkish TV “Maydan

Yəmənin ilk inqilabçı küçə sənətçisi Murad Subay.
Murad inqilabdan sonra divarlara müharibənin izlərini həkk edir
Rəssam həlak olan insanların üzlərini, onların həyat hekayəsini divarlara köçürür.
O, yanlış verilmiş siyasi qərarlara fırçasıyla etiraz edir.
“Yəmənli Banksi” ləqəbi ilə məşhurlaşan Murad məqsədinin insanların qorxularını, ümidlərini və düşüncələrini divarda əks etdirmək olduğunu deyir.
Murad tək deyil. Rəssamın müharibəyə, təcavüzə etirazına dostları da dəstək verir.

Yemeni Artist Encourages Youth to Embellish Streets with Murals\ ASHARQ AL-AWSAT

 

Lifestyle & Culture
Yemeni Artist Encourages Youth to Embellish Streets with Murals

Yemeni Artist Murad Subay has spent the last seven years in decorating Sanaa’s streets with murals and colorful paintings.

Since the Arab Spring kicked off in 2011, Subay has drawn hundreds of paintings on the walls of Sanna’a, which have been damaged by the war, aiming to highlight the oppression and sufferance of millions of Yemenis caused by the war, poverty, and revolution in their country.

Till this day, Subay launched five artistic campaigns, and each focused on a different aspect of the conflict, including the incidents of kidnap, disappearance, corruption, poverty, killing of civilians, drones’ use, and the huge devastation of his country’s infrastructure.

While drawing one of his paintings near the Yemeni Central Bank, Murad Subay said: “Today we are near the Yemeni Central Bank, and we want to say that economy shall find real solutions, stop the corruption and the collapse of the national economy”.

The deterioration of the Yemeni economy has increased with the launch of the civil war in March 2015, when the Saudi-led Arab coalition kicked off an air attack to overthrow the Houthis, and to return the government of President Abd Rabbo Mansour Hadi. The conflict led to the death of more than six thousand Yemeni to date, displaced more than two million people, and involved the poor country in one of the worst world humanitarian crises ever.

Subay has called his recent campaign “Ruins”, and drew paintings on the walls of the buildings damaged during the war, to commemorate thousands of people who lost their lives in the conflict.

Subay does not work alone. Over the years, he has called the youth who live in the neighborhoods near the city to join him, and hundreds have responded. The artist stresses that art is the best peaceful and influential mean to refuse oppression and to emphasize sufferance. Subay said that colors and paintings are a decent and peaceful call for Yemenis to refuse hatred and conflicts, and to move toward the construction of their country and to stop its destruction.

Subay received many global awards for the political expressions he use in his works. Yet, he sees that he earned these awards due to the support of his friends, family, and the Yemeni people, saying teamwork can make a significant difference in Yemen.

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